4. Goddesses

4. Goddesses AOne of the things that strikes me the most about exploring the temples here in Cambodia is the presence of thousands of women who have their likenesses exquisitely carved into the temple walls.  I’m told that they are called either an “apsara” or a “devata,” depending on the size, location and the meaning behind the depiction of the woman.  I’ve seen so many of them, and to me, they are goddesses.  Each woman is uniquely carved and immortalized in stone adorned in a headdress, garments, jewelry and decorative flowers.  Some of them are better preserved than others, but there is no mistaking the sensuality, elegance and beauty found in all of them — right down to their fingertips.  Their hand gestures offer an air of delicacy and symbolism that helps to balance the power and massiveness in the masculine architecture of the temples.  My eyes appreciate the women, and it makes me curious about women’s role in society here hundreds of years ago.  It’s obvious that they expressed their strength and femininity, but I wonder what they did with all of that power.  Was it used for mere pleasure and entertainment, or did the women play a more significant role in the history of culture in Cambodia?  Either way, their existence speaks to their significance.  Woman to woman, I’m glad they’re here.4. Goddesses B

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